3 things to help you decide if your photo should be in Colour or Black and White

Nine times out of Ten, I am confident in my decision to make a photo black and white (BW), or colour. However, every now and then, a photo comes along that stumps me. It is a strong photo left in colour, but also becomes a dynamic BW. Ultimately, my decision rests on a few key things.


In my opinion, editing a photo should not be motivated by the look alone. While we all end up developing our own style (whether we intend to or not), there are certain tweaks we can always make without creating inconsistent work. Editing should enhance a photo rather than distract from it.

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Colour vs. BW can be a bit of a tricky thing with clients. Ultimately, it is the photographer’s decision but it is very common for a client to request to have a photo in colour when you deliver it in BW. I am always conflicted on how to respond as I understand they are not implying they do not trust your judgement. They are simply curious or perhaps they have an idea for printing the photo and feel that colour would work best in their space. Whatever their reason, as a photographer, you should not take offence (even when you want to).Iceland2015-10

Before the time comes for delivery, you will be sitting in your editing suite and every so often, you will debate colour vs. BW. For those times, here are some things I consider when deciding between black and white.


The overall look of a photo speaks volumes. If a picture is worth a thousand words, six hundred of those words comes from the final colouring of the image. Whether it is bright and breezy or dark and moody. Both of these moods can be communicated from a colour photo just as much as a black and white photo with some basic contrast and vibrance adjustments (but that’s for another discussion).

Below is an example when I struggled to decide between Colour and Black and White. Ultimately, I went with both but for 2 slightly different poses. I still prefer the black and white in this case because I love how the trees are a stark contrast to their faces.


When shooting is low light, it is common that black and white is going to look better than colour. This is because the colour can look off when trying to boost the exposure and gain. Black and white can also help hide some unwanted noise. Black and white can be a saviour if you were unable to capture the correct exposure in camera. It can be a bit of a post-production cheat BUT it can also save your butt and ensure that the moment you captured can still be shared with your client.

The time between the photos below was a matter of seconds and the lighting was drastically different. I simply did not have enough time to accommodate for the kitchen lightning, so black and white came to the rescue!


Do you know the final purpose of the photo? How will it be delivered? Is it going to printed on a large canvas or print and placed as a focal point in a room? Do you know the colour of the wall it will be mounted on?

If the photo has a specific purpose, then you seriously need to consider colour vs. black and white BEFORE you press the shutter button. Is the photo for a website? Is it going to be a background image with text in front of it? There are many things to consider to ensure the final photo is a success and matches its purpose.

The photo below is a situation where either will work and therefore, the intended purpose is what determined the final decision. My friend (who is photographed) wanted to share it on her social media page, and colour made more sense with her style.

On my social media, I chose to share it in black and white. I felt the composition and contrast in this photo made for such a strong BW photo that I couldn’t waste the opportunity.

At the end of the day, don’t be hasty in your editing decisions. You do want to remain consistent with your editing but you also want to put some thought into each setting you adjust. A photo is moment captured with a story to share. Use your editing to compliment the photo’s story.

How do you decide between colour and black and white? Comment below!

The Kutinskys [ Edmonton Documentary Family Session ]

Kayla and Damien are very proud parents of Kane and Harley (and of course, their dog, Taz). Kane might be one of the hardest working kids I have ever met. He either wanted to work in the garden or take over my job as photographer. To be honest, I think he’d be half decent at it too. Check out the photos below to see the laughs they had (in between the hard work).


The Fosseys [ Edmonton Documentary Family Session ]

It’s a toss up on who runs the house between Elliot and the dogs.. but I’m pretty sure Elliot takes the gold on that one. The afternoon I spent with Amy, Taylor and Elliot can be described as perfect. They decorated a cake (and ate it too), played outside, built lego (which would be Taylor’s highlight), watched a movie and read books together. I simply adore this family. Take a look at the photos below and I think you will too!


The Garcias [ Edmonton Documentary Family Session ]

One of the main reasons why I love photography is the memories that are captured with it. Portrait sessions are beautiful but a documentary session allows real moments to be locked in time. When I arrived at the Garcias’ home, I told them to simply do as they normally do. After some snuggles on the couch, it was time for the real action to begin. I spent a few hours with them that afternoon and it was filled with mini sticks and baseball. I served as referee with the camera. Thank you to Mario and Camille for inviting me into your home to document a sliver of your everyday. Matteus is one lucky, hockey-loving, kid.


How to choose your photographer

I will save you some time and tell you this: choose a photographer whose work you absolutely, 110%, no-doubt-about-it LOVE!

With that being said, perhaps you are in a predicament where you love multiple photographers of all different styles. How ever will you choose? Below are my Dos and Don’ts when it comes to choosing your photographer.

DON’T decide based on price

Price should not be your deciding factor. It can be part of your decision but it shouldn’t be the first thing you look for. As the saying goes, ‘you get what you pay for’ and that is most definitely true for photographers. Unless the cheapest photographer is the one you “absolutely, 110%, no-doubt-about-it LOVE”, you are risking being disappointed in your photos. If you are disappointed in your photos, no matter how cheap they were, it was a waste of money.


DO consider their specialty

You may be drawn to a wedding photographer, but actually want product photos taken. While many photographers offer multiple photography services, some choose a specialty for a reason. Whatever that reason may be, trust them with it. Demanding a wedding photographer to take your business headshot (or vice versa) may not be as successful and simple as you would hope.


DON’T assume it will be simple

This goes along with the last point I made. One of the most common things I hear is how “easy and simple” my job must be since all I do is point a camera and click a button. At the core, that is accurate. I do indeed point my camera and click a button. I am a professional and am capable but it doesn’t mean it will be simple. There are many factors that go into even 1 photograph. From prepping the equipment to final delivery, there are many things that happen in between that complicate the process. At the end of the day, the process remains the same whether it is one quick photo, or one thousand photos.


DO have a plan for your photos

Are you planning to create large prints for display, or planning to use the photos on your website? This is an important consideration but entirely subjective. What type of photo do you want to fill your wall? A sharp landscape or intimate portrait? Does your website need detail images or documentary action shots?


DO choose someone you like

This is especially important for wedding and lifestyle photography. Your photographer will be spending a lot of time with you and will share intimate experiences. You should enjoy the company of your photographer and feel comfortable to be yourself with them. The more you can be yourself, the better the photos will be.

What are other things you consider before hiring a photographer?


A Second Chance for Dogs (and Cats)

I recently visited one of Second Chance Animal Rescue Society’s (SCARS) Intake Facilities in Athabasca, Alberta. I helped photograph some of the dogs, alongside another photographer and longtime SCARS volunteers – John Doyle.


I adopted my dog (and 2 cats) through another rescue within the last 6 months. Before adoption, I spent months obsessing over every animal rescue website and social media page in and around Edmonton. I was and still am stunned at the amount of animals in need, in Alberta. It is heartbreaking to learn what many animals endure due to irresponsible people.

I am glad there are so many great organizations and volunteers on a mission to help as many animals as they can. I wish there wasn’t such a great need for them – but there is.


Second Chance Animal Rescue Society does more than their fair share to help – but I know they wish they could do more. Sylvia is one of the main volunteers at this facility and my goodness, she is a wonderful person. She cares so deeply about all of the animals they bring in. The Sanctuary dogs (“permanent wards of SCARS due to medical or behaviour issues not likely to find an adoptive family”) have a strong bond to her. They literally give cats and dogs a second chance at a good life. The organization is completely volunteer run – and it is an amazing amount of work.


As an animal lover, I want nothing more than to give every dog a home. I’d keep them all if I could! Instead, I help out how I can by volunteering my time and donating money when I am able to.

Check out how you can help by visiting




The harsh truth about working as a creative

I apologize if I sound like a jerk and this post offends you, but it is the ‘harsh’ truth. Let’s dive in.

Ah, the life of the creative. Whether you are a designer, photographer, animator or comic artist, you are living your dream. While in school, you dreamt of working your own hours, doing what you love and making a living off of it. With bright eyes, you take the first step towards your dream. You take a deep breath and put your work out there. It’s not easy but you know it’s worth it.

Your first client shows up and you are thrilled! You have big ideas and they encourage it. After many hours and revisions, you have the final product ready, and they love it! You feel amazing. You send the invoice. And then, awkward silence. (This is why sending a quote first is always better, but that’s for a later lesson.)

The harsh truth about working as a creative is that it takes a lot of work for people to understand the value in what you do, and for them to accept that it is not free. They assume that because your work is “fun”, that you are okay with not making much. Sure, money isn’t everything. I am with you on that one. BUT. You still need to make a living. We can’t all live as vagabonds.


And so, after the quote or invoice is sent, you will find yourself dealing with 1 of 3 clients.

The ‘No Big Deal’ Client

This video sums it up pretty well. This category includes up a couple of different approaches, but basically this is the client that wants you to work for free. They are careful though because they will never say “I want this done for free.” That would just be rude!

What they will say is:

“This is a great opportunity for you.”

“Can you just do this little thing for me? It should be no big deal for you.”

“It will benefit both of us.”

“Lots of people will be reaching out to you after you do this for me.”

This is especially difficult to respond to if it’s a friend or family member. I am 10000% guilty of saying Yes. I am a people pleaser and physically can’t form the word ‘NO’ when someone asks for something. Even if I am screaming ‘No No No Noooooo’ in my head like Micheal Scott, the words that exit my mouth always manage to form ‘Sure, I can do that. No problem! I’d love to.’ Are you freaking kidding me, Kirsten!?!?


There are certainly times when I really am happy to help out or do something for free. If it’s a fun project that involves a hike or adventure somewhere, than chances are I will say yes without my inside voice saying otherwise.

However. If a stranger asks me to film their kid’s soccer game for free (or little to nothing), then my inside voice will always say No. I’m not trying to be rude but at the end of the day, that will benefit me in all of no ways. If I wanted to get into shooting kids sports games, then I would willingly agree that it would be a good opportunity for me to work for free, or not much – in the beginning.

At the end of the day, this is my job and I do need to support myself.

Photo courtesy of: Lynette Mason at

The ‘I’ll pay, but not that much’ Client

This is the client that is up for supporting and paying, but not that much. They usually say something like:

“I’m happy to pay you.”

“I’m sure we can figure something out that is fair for both of us.”

You discuss the details of the project with them. They love your work and seem genuinely excited. Then comes the money talk and you immediately see their guards go up. It doesn’t matter if you quote them $100 or $1000, it is always more than they hoped. I did a workshop for Entrepreneurs and the key lesson I learned was that someone will always complain your prices are too high and nobody will ever complain your prices are too low. In my experience, they might even tell you your prices are low and you can charge more. But when you raise your price, they stop hiring you. *Slap in the face*

I learned a harsh lesson early on to get a quote approved first. I responded to an ad that a new company was looking to hire a videographer for an event. Everything was great until after I delivered the final video, and then sent an Invoice for all of $250. After a few days of silence, I received a reply that said something along the lines of “Everyone else volunteered their time. I didn’t think the video would cost that much.” I immediately melted into a puddle and apologized for MY misunderstanding. I got a “free” sweatshirt out of it. I do still wear the sweatshirt but that’s besides the point.

Pricing is one of the hardest things for a creative person. While there are some general guidelines, there is no standard for the industry. It completely depends on the individual. Personally, I have spent many hours reviewing my prices. I have extensive spreadsheets that breakdown my expenses and time. Trust me when I say, I should probably be charging more but I am not in that position yet. I have been working in my field as a professional for 5 years and am still struggling to break even. This is mostly due to the fact that I have been undercharging for most of those 5 years. My reality is that I will continue to have to do so until I am able to find the next type of client. It’s a bit of a catch 22 where I either charge what I need to charge, and have no clients or I undercharge to ensure I get work, but am then making the bare minimum for 3 times the work. So yeah, it’s the harsh truth.



The ‘One Who Gets It’ Client (aka the Dream)

Ah, and then there are those rare clients that ‘get it’. These are your dream clients. The one who understand the value of work they are asking for AND are willing and ready to pay. When you find this client, hold on tight and don’t let go. They understand that snapping one quick photo involves much more than just the push of a button to produce a beautiful, fully edited image in all of the formats they require. They even recognize that the equipment you need to do your job costs thousands of dollars. They are beautiful beings that will bring sunshine and rainbows to your life.

Photo courtesy of: Hannah Hamilton (The Momoirs)

I truly believe nobody ever intends to be rude when it comes to payment. Everyone wants to feel valued and get what they believe they are paying (or not paying) for. In my experience, it simply takes a bit of educating for clients to understand your prices. They may not always be able to pay but at least they will understand that you aren’t simply trying to rip them off.

As a creative, how do you deal with clients not wanting to pay?
As a client, have I offended you?

What’s in my CAMERA BAG?! (Edmonton Wedding Videographer)


That’s how long I’ve spent researching and pondering what equipment to buy. I’ve read countless “Best of” articles and blog posts. I watch contradicting YouTube videos, and eventually settle on something. I find it on Amazon and add it to my Shopping Cart before moving on to the next piece of equipment. Finally, I have everything in my cart I want. No… NEED. I review the shopping cart and scroll down to the bottom of the page. This is when it happens. That sinking, hold your breath, eyes widening moment when you see the ‘Total’. We are not talking hundreds of dollars. We are talking multiple thousands! You don’t need to be a mathematician to know that $400 in your bank account will not cover it.

But is it worth it to put it on the credit card? Should I get a business loan or line of credit? You know what! Just click purchase and deal with it later! No, don’t do that. Breathe and think it through.

Eventually you come to the conclusion that you don’t really need this lens or that hard drive. You begin deleting items from your cart until the ‘Total’ is easier to digest. You feel accomplished until you realize that all you have left in your cart is a couple of random cables that are useless without the audio devices you already deleted.

The next phase involves selecting less expensive – nay- cheap versions of what you determined you needed. You move the mouse over the ‘Complete Purchase’ button… but you can’t commit. Is spending money worth it if the equipment is poorly made and ends up unreliable?

In the end, you decide you can make do with what you already have so you click the exit button and move on.


Well, you move on until a few weeks later when your lens performs poorly at the reception venue and you exclaim ‘enough is enough!’ As soon as you get home, you search ‘Best of’ camera lenses and repeat the entire process.

The reality of technology is that the hunt for something better is never ending! Technology improves and gets released faster than anybody can keep up. Especially if you aren’t swimming in a room full of gold coins like Donald Duck. Quality video and photo equipment is expensive. This is a fact.

People are often shocked at how much a videographer or photographer charges, but the reality is that we have to (unless we’d rather fall behind on bills and have a debt party!). I’ll save that topic for another post.

And so, without further adieu.

Below is a list of what I bring to film a wedding. Items listed but not photographed are things I rent. Yes, there are better options out there (trust me, I know) but this is what I have. At the end of the day, it is not the equipment that makes for a great wedding film. It comes down to the camera operator and editor. It is also important to note that my preference is to travel light and keep things as simple as possible.





Other lenses I might bring:









  • Snacks!
  • Water!
  • Change of shoes (super helpful for when you accidentally step in mud up to your knee… true story.)
  • Detailed directions
  • Wedding Day Schedule
  • Wedding Contacts
  • Weather specific items (i.e. Umbrella)


There you have it! What do you bring to film a wedding?

A Father and Son, and some Vintage Baseball Apparel

If you appreciate vintage baseball shirts, then you need to check out ROSS FLATS. I recently met up with the founder, Reed Clark for a lil’ photoshoot at Edmonton’s historic baseball stadium, Edmonton Ballpark. The Edmonton Ballpark was the perfect location since it plays homage to the history of baseball in Edmonton, and the prairies. It was a warm (yes, warm) winter day and perfect t-shirt weather, in the snow. I took some promo photos for his business, but the photoshoot turned out to be much more than that.

Reed’s father, Bill joined as well. While I knew Reed as a coworker, this was the first I met Bill. He arrived with a smile on his face, a spring in his step and a story to share. When I mentioned it would be fun to take photos inside, he did not hesitate to find an open door and make it happen. Between photos, I had a short but great chat with him about sports and yoga. I asked him if he was much of baseball player, and said “Oh no!”

He told me how hockey was always his game and his body reaped the consequences of it. Yet, he wouldn’t change a thing! Despite feeling sore from his days playing the good ol’ hockey game, he spoke of it with a light in his eye. He then shared how he did Hot Yoga and loved it for its benefits! I admitted that I loved yoga but hadn’t been consistent with it. The conversation ended with us agreeing we both needed to do more yoga (despite the age difference), and we continued with the photoshoot.

Sadly, Bill passed away recently. I am honoured to have had the opportunity to meet him and capture a sliver of an afternoon with him and his son.


For the Adventure Couples

As one does with a vision board, I’m going to put this out there.

You are my dream client if you are adventurous. You have a passion for the outdoors and have even considered getting married somewhere that requires a hike in. You crave experiences outdoors and yearn to travel the world. You aren’t afraid to get your feet wet or stand near a mountain’s edge. Whether you hike, bike, climb or simply enjoy sitting in the woods, you connect with an experience beyond four walls.

For the Adventure couples, here is a board I put together especially for you. Not that you need it though, since you have all the inspiration in the world outside your front door.

I can’t wait to capture your adventure session!